A Mother of no Man's land
Manikpur
village in Karimganj district of Assam is just like any other village in India
apart from the fact that in the month of Ashwin, which corresponds to
September–October the entire village comes together to celebrate the
Goddess Durga. But what marks the difference is that the Durga Puja is
celebrated in no man's land.
Every year along this India-Bangladesh border residents of Manikpur village organize Puja at a Durga temple located between India and Bangladesh. As per the myth among locals, the temple was built more than 150 years ago. However, during the partition, the temple fell outside of India's territory. Now the area has been barbed wired and stands protected by the Border Security Force.
Brief history
The
temple was a part of the property of a landlord named Narendra Malakar. The
Durga Temple is believed to have been established by Malakar’s forefathers
almost 150 years back. They were landlords during the British period and Durga
Puja used to be a week-long celebration. Narendra Malakar died a few years after Independence
and the family reduced the size of the celebration. When the last decedent of
the family, Hriday Ranjan Malakar died in 1994, the puja was officially
stopped.
It had
been long forgotten until it was uncovered again by the BSF. In a demarcation
drive during the 2000s, a border was drawn between the house and the Durga
Temple of Narendra Malakar. The area came under fencing in 2008 and a year
later BSF jawans discovered the temple. The temple was half broken and BSF
officials with the help of the villagers reconstructed it. Since then
Durga Puja is celebrated where BSF officials also take part spontaneously.
During the Durga Puja days, the BSF keeps the border gate open from 5 am to 10 pm every day and allows only devotees to enter. A local committee has also been formed to take care of the temple along with help of BSF officials.
पंछी नदिया पवन के झोंके
कोई सरहद ना इन्हें रोके
सरहदें इन्सानों के लिए हैं
सोचो तुमने और मैने क्या पाया इन्सां हो के
-
Javed Akhtar
Disclaimer: The opinions expressed in this article are those of the author's. They do not purport to reflect the opinions or views of The Critical Script or its editor.
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