The inception of Assamese cinema dates back to the early 20th century and is marked by the release of the first Assamese film, "Joymoti," in 1935. This film laid the foundation for the Assamese film industry and remains a significant milestone in the region's cultural history.

Joymoti (1935): The first Assamese film was directed and produced by Jyotiprasad Agarwala, who is often regarded as the father of Assamese cinema. Jyotiprasad Agarwala was a multifaceted personality—an eminent poet, playwright, and cultural icon in Assam.

"Joymoti" is based on the true story of Joymoti Konwari, an Ahom princess who endured torture and sacrificed her life for her husband, Prince Gadapani, during the late 17th century. Her story is celebrated for her bravery and loyalty.

The film was shot in Bholaguri Tea Estate, located in Tezpur, Assam. The film faced many challenges during production, including financial constraints and a lack of infrastructure. Despite these difficulties, "Joymoti" was completed and released in 1935.

Aideu Handique holds the distinction of being the first actress in Assamese cinema. She played the lead role of Joymoti in the film "Joymoti" (1935). Her participation in the film was groundbreaking, especially considering the social norms of the time, and she became an iconic figure in Assamese cinema.

Growth of Assamese Cinema:

Following "Joymoti," the Assamese film industry grew slowly but steadily. The industry continued to face challenges, including limited resources and competition from other regional cinemas, but it persevered.

Piyali Phukan (1955): This film, directed by Phani Sarma, is another important early work in Assamese cinema. It was based on the life of the freedom fighter Piyali Phukan and became popular for its patriotic theme.

Dr.Bhupen Hazarika made significant contributions not only as a music director, and lyricist but as a filmmaker, his films, such as "Shakuntala" (1961) and "Chikmik Bijuli" (1969), are considered classics.

Era of Golden Films: The 1960s and 1970s are often considered the golden era of Assamese cinema, with films like  Prabhat Mukherjee directed "Puberun" (1959), Brajen Barua directed "Dr. Bezbarua" (1969), and Bhabendra Nath Saikia directed "Chameli Memsaab" (1975). These films gained critical acclaim and commercial success, solidifying Assamese cinema's place in the broader Indian film industry.

Assamese cinema has continued to evolve, with contemporary filmmakers exploring diverse themes and experimenting with new styles. There are challenges, the industry needs to remain vibrant and represent Assamese culture, celebrate the region's rich heritage, and address social issues through the medium of film. Today, the Assamese film industry needs to produce films that resonate with both local and global audiences, carrying forward the legacy of pioneers like Jyotiprasad Agarwala.