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Historic Moment: Charaideo Moidams Receive World Heritage Site Recognition

26 Jul,2024 03:01 PM, by: Super Admin
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A historic day for Assam. The ancient Charaideo Moidams of the Ahom kingdom in Assam have been recognized as a World Heritage Site. The official announcement was made by UNESCO in New Delhi. The Charaideo Moidams are now the third World Heritage Site in the state. Out of 52 potential sites across the country, Prime Minister Narendra Modi selected Assam's Charaideo Moidams. Following Kaziranga and Manas, Charaideo Moidams have received this rare recognition. It has become Assam's third and India's 43rd World Heritage Site.

The 46th session of the World Heritage Committee is being held at Bharat Mandap in New Delhi. This is the first time India is hosting a session of the World Heritage Committee, which started on July 21 and will conclude on July 31.

The name Charaideo is derived from the Tai language words "Che-Tam-Doi" (Che-city, Tam-country, Doi-hill), meaning "the city shining on the hills." Over time, "Che-Tam-Doi" became known as Charaideo. At one time, the Ahoms moved their capital from Rongpur to Charaideo. Charaideo is famous for the Moidams of the Ahom Swargadeos. Moidams are the traditional burial mounds of the Ahoms. Members of the Ahom royal family and officials were buried in these Moidams according to traditional practices.

The Ahom dynasty, which ruled Assam for nearly 600 years, from 1228 to 1826, was founded by Chaolung Sukaphaa, a Tai prince from present-day Yunnan, China. The Ahoms established a powerful and efficient administration that significantly influenced Assam's culture, society, and politics. They introduced new agricultural practices, developed an advanced system of irrigation, and promoted art and literature. The dynasty's legacy includes remarkable architectural achievements and a unique blend of Tai and local Assamese cultures. The Moidams of Charaideo stand as a testament to their rich heritage and enduring legacy.

 

Disclaimer: The opinions expressed in this article are those of the author's. They do not purport to reflect the opinions or views of The Critical Script or its editor.

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